“I held you in my hand, Wanderer. And you were so beautiful.”

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Dear people (who are making this film),
Hi. How are you? Nice to see you again, as always. You might remember, last week we began our detailed discussion, itemizing our requirements for the film adaptation of The Host. Our lengthy list got underway with the first five things that need to be in the film. Tell me, have you taken what I’ve said into consideration?
I know. Reshoots are expensive nowadays. But it doesn’t change the fact, we want to see this film succeed. We don’t want a repeat of what happened the last time they decided Stephenie Meyer’s novel should be reworked for the big screen, do we? No, we don’t. Fans want a film they can be proud of; a film worthy to be associated with the novel – an exemplary adaptation of a story we love. Really, is that so much to ask? I can see you’re shaking your heads no. Good, we’re on the right track. What’s that? You actually want more of my help? All right. No need to shout. All you had to do was say so.
6. The Caves: The great thing about this certain film adaptation, is that there is a good amount of wiggle room in particular areas. Some things I won’t miss (Yes, I can’t believe I’m saying this, either – considering my need for complete accuracy with that other S. Meyer series). If you follow the basics, pretty much everything else regarding The Caves can be up for interpretation, except selected plot points, of course. By no means do I expect you to include Walter (the oldest Cave member and one of Wanda’s most avid supporters). Would it be nice if you did? Sure. I won’t complain. Frankly, there is a lot more dialogue than action in the novel. I’m not telling you to add more or anything. Seriously. I’m not. Don’t do it. It’s just that I will require those particular points of conflict to be especially good. For example, Kyle’s ambush (That’s Ian’s brother. I shouldn’t have to tell you this). Wanda’s just had a very long night, caring for Walter and whatnot. Cough. Taking some personal time in the bathing room, she is suddenly attacked by Kyle. After receiving some heavy blows, Wanda attempts to flee. However, the floor begins to cave in and Kyle is knocked out. Oh no! With some opposition from Melanie, Wanda does what any Soul would do – pulling Kyle back from certain death. Her grip slips, but Ian appears and saves them both. This scene has to be fantastically nerve-racking. Very action-y. It’s one of the most notable scenes in the entire book. Do you understand? Great.
More After the Cut!