Paris, je t’aime
Have you ever wondered what it would be like to live in a different time? A different place? To live amongst your literary heroes, taking their advice, being a part of their history? To dine and dance with iconic artists, musicians, and historical giants? At one point or another, we all have. We all have dreamed of being a part of something we’ve only ever read or heard about; experiencing, first hand, a time not our own. Midnight In Paris is a film that answers these eternal questions, in a way that is strangely believable. It does not romanticize, but beautifies a time – a place – our hero longs to be a part of. It doesn’t present an idealized solution, but offers the audience a direct truth; something they can take with them and utilize in their own reality.
What I love about this film, is that it expresses a desire we all have. It let’s us live vicariously through another, without tragedy or glorified finales, but with a sense of realism. The distinct boundary between fantasy and reality is blurred, which is something we haven’t quite seen before. We can identify with the main character instantly.
Midnight In Paris takes that idea of ultimate escape and twists it into something new. Can you live in the past or will the real world catch up to you?
Written and directed by Woody Allen, this 2011 film introduces us to our principal character, Gil (Owen Wilson), an unfulfilled script writer who just wants to write that one great novel. I know how you feel, buddy. He feels a connection to the City of Light, wishing he could spend his days sitting in the Parisian sunshine, writing, walking the boulevards in the rain. His fiance, Inez (Rachel McAdams) . . . Well, let’s just say she doesn’t feel the same. Gil is high-spirited, but has the notion that he doesn’t belong – wanting to be part of a different era; the Golden Age: Paris, 1920’s.
Gil easily gets his wish. One moment he is standing on the darkened streets of present-day Paris, the next, a shiny, new motorcar is taking him to the era of bathtub gin and the Charleston. It takes little effort to believe the transition from one reality to the other. Gil is wide-eyed and bewildered at first, though quickly embracing his new surroundings. He meets one literary hero after another. Ernest Hemingway. F. Scott Fitzgerald. Pablo Picasso. Salvador Dali (Adrien Brody, gotta love him). The list goes on and on. They welcome him. They see him as one of their own.
During his midnight adventures, Gil falls quickly for Adrianna (Marion Cotillard). He finds something in her that he is clearly missing with Inez. Night after night, Gil goes back to her. Though they are from two different worlds, they are similar in certain ways. Both are despondent with their lives, sharing the idea of nostalgia. He longs for a different time, as does she. They want to escape the present, surrounding themselves with the people and places of the past. Here lies the primary obstacle. Will Gil take the opportunity he has been given and stay in the past? Or find happiness in the present?
I will admit, to truly understand the film you will need a bit of literary background. This is one of those movies were being a well-read book-worm comes into play. Midnight In Paris is a dialogue heavy film. Being a “Wordy Lady,” I love this. Character discussions are full of wit, realistic and fast paced. Allen’s dialogue is almost flawless. He takes a risky decision in his filmmaking; the first three minutes of the film voiced as a love letter to Paris. The sights and sounds of the city are photographed with Allen’s signature cinematography style. Rich colors – warm browns and greens – something we’ve come to know from Allen’s previous films. Music also takes a central role, taking on a life of its own at precise moments throughout the film. You want to know the truth? I love the soundtrack. Hard. From orchestral pieces, to Cole Porter, to the best of France’s vintage melodies, it’s a music lover’s dream.
The film is relatable in a way that is unsuspecting. I’m sure none of us have gotten in a car and been transported to 1920’s Paris. If you have, I’d love to hear about it. It’s Gil’s emotional journey that we can sympathize with. His quest to find a place where he belongs, though taken by an unconventional route, is something we all can relate to. In the end, it’s the combination of character, story, and music that create a backdrop for a wonderful film (Plus, Michael Sheen’s in it. How can you not love Michael Sheen?). Midnight In Paris is definitely a must watch movie.
Movie Rating: A
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Have you seen Midnight In Paris? What did you think of the film? What was your favorite scene? Favorite character? Favorite line? What is your favorite Woody Allen film? Tell me in the comments!
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6 Comments Add yours
I enjoyed this movie. I visited Paris last summer and watching this recently made me want to go back there again, just not during the summer when it was crowded and hot and didn’t rain. I’d like to stroll in Paris rain like Gil.
I think I would visit Paris at any time. Lol. I’ve never traveled beyond the states. I’m going to have to remedy that soon. Plus, I agree, the movie made me that more anxious to go myself. Paris in the rain . . . sigh. 🙂
I can’t stop watching this movie. I’m just like Gil, minus the cheating fiancee, and have always wanted to live in the 20s, plus I adore rainy weather. If I ever happen to time travel, I would definitely want to be among the Lost Generation, for F. Scott Fitzgerald — one of my favorite authors — and the music alone really. Probably why my favorites scenes are at Bricktops, with Josephine Baker playing, and the fairground party with the Charleston. And pretty much any time Cole Porter played, whether Gil was in the past or the present. There are just so many good lines but my favorite probably is from crazy Zelda, “You have a glazed look in your in your eye. Stunned, stupefied, anesthetized, lobotomized” but pretty much everything Hemingway says is hysterically funny and memorable. I’ve also taken to saying my favorite bars make “diamond” drinks, ala Scott Fitzgerald.
Me too! I recently watch this film again and was constantly surprised by the beautiful dialogue and all the little things I missed. There’s so much to take in. The music was one of my favorite parts as well. I can’t tell you how many times I’ve listened to the soundtrack. Cole Porter, definitely a highlight. I agree, there are way too many great lines to pick from. But the one that stands out to me is “The artist’s job is not to succumb to despair but to find an antidote for the emptiness of existence.” As a writer, I just find it to be . . . Gah! Perfect.
I’ve downloaded the soundtrack, listen to it nonstop. Although I prefer La Vita e Bella’s version of Baracolle (probably spelled wrong but I’m on my phone at work, no time to check). I’ve been recommending this film to everyone, especially non Woody fans like myself, because it’s just that good. Another favorite moment: Gil when he’s speaking to all the surrealists!
It’s such a beautiful soundtrack. My favorite song has to be “Si Tu Vois Ma Mere.” It was perfectly placed in the film as you’re looking at all the sights of Paris. Absolutely lovely.
Hahaha!! I love Adrien Brody. Rhinoceros!